"Vom Tode" 5 (2) "Die Liebe des Nächsten" 6 (6). Liszt's order of the songs (with the original order in brackets) was: 1 (5). Includes a new cadenza for 1st movement, S.389a. Ludwig van Beethoven Original workĭedicated to Grand Duchess Maria Pavlovna of Russia Liszt arranged only the final 4 bars, the rest being the work of Alexander Wilhelm Gottschalg (1827–1908). 4 in C minor, violin and harpsichord, BWV 1017 Liszt planned this transcription but never executed it. Great Fantasia and Fugue in G minor, BWV 542 (organ)Ħ Preludes and Fugues (organ), BWV 543–548 It is based on the same theme as the Prelude, S.179.Ĭantata Ich hatte viel Bekümmernis, BWV 21:Įinleitung und Fuge aus der Motette 'Ich hatte viel Bekümmernis' und Andante 'Aus tiefer Not'Ĭantata Aus tiefer Not schrei ich zu dir, BWV 38: This set of variations uses the basso continuo of the second movement of the cantata Weinen, Klagen, Sorgen, Zagen, base for the Crucifixus from the Mass in B minor. Variations on a theme of Bach (aka Variations on Weinen, Klagen, Sorgen, Zagen) The Variations, S.180/673 are based on the same theme. Prelude on the theme of Weinen, Klagen, Sorgen, Zagen Johann Sebastian Bach Original workĬantata Weinen, Klagen, Sorgen, Zagen, BWV 12 Grande Fantaisie sur la tyrolienne de l'opéra La Fiancée Two pieces on themes from La muette de Portici Tarantelle di bravura d'après la tarantelle de La Muette de Portici Grosse Fantasie über "God Save the Queen" und "Rule Britannia" The Grosse Fantasie was a reworking of the Grande paraphrase de concert. Grove says this was unfinished, and refers to it as "Fantasia on English themes" (piano solo). Grande paraphrase de concert sur " God Save the Queen" et "Rule Britannia" The Ave Maria was based on Pierre-Louis Dietsch's Ave Maria, a setting for unaccompanied voices (1842?) loosely based on Arcadelt's madrigal Nous voyons que les hommes. The Alleluja was based on themes from Liszt's own Cantico del sol di San Francesco d'Assisi, S.4. Three-part madrigal Nous voyons que les hommes (S.384) was based on a mazurka that has often been misattributed to Alyabyev, but was in fact written by Mikhail Vielgorsky. Note: The Mazurka pour piano composée par un amateur de St. 2 was Chanson bohémienne, after a work by Pyotr Bulakhov 4), but he used only the Ave verum corpus component.Īlexander Alyabyev Original work
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